System 3 · 1988 · New York at Midnight

Matt Gray

The composer who scored New York City for a 6581 SID chip and made it sound like jazz,
menace, and midnight rain all at once.

30+ C64 titles
13 Last Ninja 2 subtunes
5 Reformation albums

City at Midnight

Matt Gray is a British composer who, between 1987 and 1991, wrote some of the most celebrated SID music on the Commodore 64 - culminating in the thirteen-subtune score for Last Ninja 2 (System 3, 1988), widely regarded as the benchmark of what the 6581 chip could produce. After two decades in commercial dance music, he returned in 2014 with the Reformation series - orchestral and electronic reinterpretations of his C64 catalogue, released through his own 6581 Records label.

Biography, compositional method, and key collaborators →

Last Ninja 2 SID - Stereo Mix

The full Last Ninja 2 SID soundtrack in stereo Dolby Headphone processing - all thirteen subtunes, rendered direct from the 6581 chip with no pitch correction. Essential listening.

Browse all embedded videos →  |  Open the SID Player →

Three Eras, Thirty Titles

Last Ninja 2 - C64 box art Quedex - C64 box art Hunter's Moon - C64 inlay Dominator - C64 inlay

From Thalamus through System 3 to Codemasters, Gray scored more than thirty C64 titles between 1987 and 1991. Each era has a distinct character: the Thalamus years are taut and rhythmically precise (Quedex, Hunter's Moon); the System 3 period reaches its peak with Last Ninja 2 and extends through Tusker, Dominator, and Vendetta; the Codemasters run closes with Treasure Island Dizzy and Micro Machines before Gray's move to commercial dance music.

Browse the complete catalogue with box art, platforms, and years →

Arcade Attack Interview

The definitive video interview with Matt Gray - career arc from Compunet and Thalamus through System 3 and Last Ninja 2, the dance music years, and the Reformation return. The VGM Maestro series from Arcade Attack.

More interview material and primary source quotes →